I found myself traveling today along the rural back roads near my home, on my way back from visiting with my children, and I had the rare opportunity to enjoy a pleasant drive through brilliant sunshine and vibrant blue skies, surrounded by farmland and the exquisite greens of a late summer afternoon. My heart has been burdened lately with a host of concerns that have made settling down to write here on my blog a bit problematical, and today it finally seemed like the sun was poking through within me, just enough to gather a few words to share with all of you.
As I traversed the beautiful byways between where I was and where I was going, I decided to insert the soundtrack to the film, “Amadeus,” into the CD player, (yes…some of us still do that…) and the music brought me to a place that nearly always is provocative and contemplative simultaneously–the musical landscape created by Wolfgang Amadeus Mozart. The traffic was light today, so driving down the road alone, taking in such spectacular visual delights as I listened, allowed my mind to wander a bit, and also to connect with the creative human spirit which was Mozart, opening my heart and mind to both the nature and the nurture possible in such circumstances.
The visit with my son included an opportunity to enjoy the play of light and the elements that make up the environment where he lives. Lounging in the old fashioned kitchen was the perfect prelude to the journey through the rural landscape, and before I headed out on the highway, I took a few minutes to capture several images of the magic light which always seems to illuminate the kitchens in our family.
As I turned out of the driveway, I slipped in the Mozart CD and was surprised by the power of the music to fill in the gaps of the silence within me; it seemed to accompany the passing sights perfectly, particularly two choral renditions, one from his opera, “Don Giovanni,” and the Requiem, K626. The performances were nearly hypnotic in their effect, and I thought it a bit synchronous for the music which was created so many years ago, (Mozart lived from 1756 to 1791) to be able to match perfectly this 21st century road trip.
My inner landscape also seemed to match the outer one as the excursion progressed, and I briefly felt completely one with all the elements of my experience, placing those concerns and delights into a temporary state of equilibrium. A recent conversation with a dear friend who encouraged me to continue with my work here, gave me just the push I needed to find a moment to bring it all together and share it with all of you.
The challenges are great for me at present, but I have been journaling and recording ideas for expanding my mission and my vision, even though none of it, so far, has made an appearance here. As I contemplated what I might write about this particular day, it occurred to me that having to endure situations like mine is one of the reasons God sent us Mozart. He was like a brilliant shooting star across the skies of life in the 1700’s, but his music and his genius have endured across the centuries to fill in the gaps of our inner silence, even today…
…more to come…
An image from the Cassini spacecraft shows Earth as a point of light between the icy rings of Saturn.
Credit – Space Science Institute/JPL-Caltech/NASA
Thanks to the leaps in satellite technology, undertaken by NASA and others, as well as scientific advances as a result of humanity’s efforts to conduct space travel, there now exist many unique images of the Earth, taken from a number of different perspectives, and as living, cognitive beings in the 21st century of recorded human history, we have been privileged to have the opportunity to view the earth in ways that were impossible only 60 years ago. Many creative and innovative methods of photographing the Earth from above, from aerial photographs taken by kites, balloons, and even carrier pigeons, to those from airplanes and early attempts at rocketry, all contributed to our perspective in interesting ways. It would take several years after the advent of human space flight to finally accomplish the task of taking a photograph of the entire earth. On November 17th, 1967, the NASA/ATS-3 synchronous satellite, orbiting the earth at a distance of 22,300 miles, directly above the Amazon River, took the image below utilizing an Electronic Image Systems Photorecorder, transmitting the image to the Weather Satellite Ground station in Rosman, North Carolina:
I received a print of this photograph from the original negative, described as the “first color photo ever made of the entire earth,” as a result of my father’s employment at the Missile and Space Division of the General Electric Company, engaged in the effort to put an American astronaut on the moon. The souvenir photo was presented to me at age 15 as a gift intended to inspire and encourage my interest in all things related to space travel and to astronomy. I have lovingly preserved the image these many years, and although it is beginning to show its age, it still holds a particular fascination for me, and continues to inspire and encourage my interest in the perspective only possible to achieve from stepping away from the earth-bound view of life.
Most people remember the iconic image of the Earth from the moon taken in 1968 by the Apollo astronauts on their way to orbiting that nearest extraterrestrial orb, and in some ways, the simple fact that it was a cognitive human person recording that image on his way to the moon that gave it much of its appeal, but it was on August 23, 1966 that we first got to see the Earth from the vicinity of the moon, in an image taken by NASA’s Lunar Orbiter I:
Many astonishing and beautiful images of the earth from spacecraft orbiting the Earth have been recorded over the years, from John Glenn’s initial orbits of the Earth in February of 1962, to the many views of our planet recorded from the space shuttle flights, all the way to those being made available regularly from the International Space Station. As our technology progressed, we found new and interesting ways to record our place in the universe, and the image below, recorded in 1977 by the Voyager I spacecraft, shows both the Earth and the Moon in the blackness of space:
The image at the top of this post, recently sent from the Cassini spacecraft, recorded at a distance of only 900 million miles, is reminiscent of the very last image from Voyager II in 1990, which was taken just before the batteries ran out, at a distance of approximately 3.7 billion miles away. Carl Sagan famously used the photograph as a launch point for his book, “Pale Blue Dot, A Vision of the Human Future in Space.”
The perspective available to us as a result of these accomplishments, aside from being humbling and awe-inspiring, is one that we have only recently begun to appreciate more fully. We still have all the squabbling and competition among peoples and nations all over the globe, but we have far less of an excuse for not recognizing just how small our home planet looms against the immensity of the galaxy and indeed the whole known universe. We will eventually have to recognize the need to bring all people and nations together into a cooperative organized union of nations in order to preserve the Earth for future generations. Our place in the universe is not yet fully developed, nor do we seem any closer to bringing the people of the world together when we look at the conflicts and trouble spots in the world.
We hold the future of our species in our hands now. We are the caretakers of the earth presently, and the path ahead has some real challenges if we are to leave a sustainable and reasonably livable Earth to our children and grandchildren. Our place in the universe is uncertain in some ways, but we can work toward a greater understanding of our fellow cognitive beings and what it is that gives us our unique perspective. This is my hope in contributing to this blog–to join with all the other voices that are pressing us forward to a more sustainable future, and to achieving a greater appreciation of our privilege as Earth’s caretakers. The subjective experience of consciousness is the door through which we bring to fruition, the future of our fragile place in the universe.
Since there is so much conversation going on these days about Artificial Intelligence and what we might expect in the coming years as scientists and researchers advance in constructing ever-more complex machines, I thought it might be a good time to consider not only what it means to be “intelligent,” but also what importance the term “artificial” carries with it when using the two terms together in a sentence. In recent years, cognitive scientists and AI researchers have made significant progress in producing machines which can perform specific tasks and demonstrate specialized capacities for accomplishing remarkable feats of machine intelligence, and in very specific ways, have outperformed humans in circumstances which previously were thought to be beyond such artificial constructs.
While all of the hoopla and publicity surrounding such events generally results in hyperbole and sensational headlines, there is a degree of fundamental achievement underneath it all that warrants our attention and could be described as commendable in the context of modern scientific research. Most media consumers and television viewers have encountered the commercials for IBM’s Watson, and have likely been exposed to reports of Watson’s abilities and accomplishments. There is much to admire in the work that resulted in the existence of such a system, and the benefits are fairly straightforward as presented by the advertisements, although it is also clear that they have been designed to feature what might be the most benign and easy-to-understand characteristics of a system which accomplishes its tasks using artificial intelligence. Much of the underlying science, potential risks, and limits of such research are rarely discussed in such ads.
In order to make some kind of sense of it all, and to think about what it is exactly that is being accomplished with artificial intelligence, what forces and processes are being employed, and how the results compare to other cognitive achievements, especially as it relates to human intelligence and human cognitive processes, we have to understand something about the most important differences between a system like Watson, and the cognitive processes and brain physiology of modern humans. While some stunning similarities exist between the basic architecture of neural networks in the brain and modern AI devices, not a single project currently being undertaken is anywhere near the goal of rising to an equivalent level of general capability or even just achieving a basic understanding what it takes to create a human mind. It’s not that it’s an impossible undertaking, nor is it impossible to imagine how human minds might eventually make great leaps in both constructing advanced systems and in making progress toward a greater level of understanding. After all, the human mind is pretty stunning all by itself!
What is most discouraging from my point of view is how much emphasis is being placed on the mechanics of intelligence–the structural underpinning of physical systems–instead of including a more holistic and comprehensive approach to increasing our understanding. A recent article in the Wall Street Journal by Yale University computer science professor, David Gelernter, (Review, March 19-20, 2017) posits that “…software can simulate feeling. A robot can tell you it’s depressed and act depressed, although it feels nothing.” Whether or not this approach might bring us closer to “machines that can think and feel,” successfully doing so seems like a long shot. If all we can do is “simulate” a human mind, is that really accomplishing anything?
Professor Gelernter goes to great lengths to describe the levels of a functional human mind, and gives us valuable insights into the way our own minds work, and he illuminates the way we shift between levels of awareness, as well as how we make such good use of our unique brand of intelligence. He then suggests that AI could create these same circumstances in a “computer mind,” and that it could “…in principle, build a simulated mind that reproduced all of the nuances of human thought, and (which) dealt with the world in a thoroughly human way, despite being unconscious.” He takes great pains to enumerate all the ways in which the “spectrum” of a human mind operates, and then concludes that “Once AI has decided to notice and accept this spectrum–this basic fact about the mind–we will be able to reproduce it in software.”
We cannot reduce what it means to feel to the astonishingly complex machinations of the human brain, any more than we can boil down the complexity of the human brain to the point where an artfully written piece of software can recreate anything even close to human feelings–what it actually feels like to be a living, breathing, cognitive human being. As Hamlet explains to Horatio, “There are more things in heaven and earth, Horatio, than are dreamt of in your philosophy.” Shakespeare’s intimation on the limitations of even human thought should give us pause to consider the limitations of producing it artificially.
—more to come—
An extraordinary opportunity to travel to Center City Philadelphia this weekend made it possible to fulfill a longtime wish from my younger days to view in person some of the actual original works of Winslow Homer. As a much younger man, full of optimism and the creative spirit, I had thought to become an artist myself, and had taken many steps to achieve that aim throughout my educational journey. Art classes in grammar school, high school, and college only served to heighten my interest in the great works of art created out in the world, and one of my earliest experiences with admiration for other artists involved Mr. Homer, as his paintings were often used as illustrations for poetry books that I never seemed to be able to avoid reading.
The painting at the top of this page, entitled, “Diamond Shoal,” was created around 1905, and captured my imagination not simply as a work of art, but as an inspiration to imagine sailing in such a circumstance myself, as well as prompting what would become a lifelong interest in watercolor painting. Once it became an interest for me, I began attempting to create my own works, a few of which have illustrated my writings here. I never felt like my own skill approached any sort of level that might warrant attention from the art world, but the inspiration of the many works I encountered along the way never left me.
The image above, also by Winslow Homer, is a prime example of how such paintings not only appealed to me as a work of art, but also gave me an appreciation for the content of artwork that the masters unfailingly produced, which I rarely felt that I could embody in my own work. The painting is called, The Trysting Place,” from around 1875, and it depicts a young woman waiting at an appointed meeting place for what the artist described as “…a tardy lover.” You can almost feel the butterflies in her stomach in anticipation of his arrival, and perhaps even some anxiety that he might not show up at all. She is a lovely young woman, dressed in a deliberate choice by the artist as emblematic of the times, and she seems both vulnerable as she wonders what might be keeping her lover, and yet still also courageous to make the arrangement in the first place. Standing in front of these works, knowing that they are the original work of an artist I have long admired and who is world famous with good cause, was both uplifting and inspiring, even as a much older man today. There were hundreds of works by other artists as well and a few of them were especially notable for me as an enthusiastic patron of the exhibit.
This image was painted by one of the many women artists featured at the exhibit. “Bow Sprit,” from around 1916-1918, is a much more impressionistic rendering than some of the others which caught my eye, and I love how the impressions of the water and the sails and the circumstance are more than sufficient to give the viewer a sense of what the artist saw. I love the sparkling array of colors and the fluid movement suggested by her skilled hands. There were many renderings in the exhibit which had similar effects, but this one stood out for me.
At about the half-way point in the journey through these amazing images, there was a section of Winslow Homer works, paired with similar subjects and renderings by another master of watercolor, John Singer Sargent. Both artists were members of the American Watercolor Society in the late 1800’s and early 1900’s, but had remarkably different approaches to their work, and the contrast was both illuminating and interesting to contemplate. Homer seemed most often to be more concerned with precision and including important details in his renderings, and Sargent was much more focused on the impressionistic aspects of his final works, but both achieved a very similar result which delights and inspires.
Included in this array of creativity were two images by Georgia O’Keefe, someone whose work I have always admired, but for which I had never had the opportunity to view in person. The image above was one of the two, both renderings described as “Evening Star,” and this one is “number two.” The description reported the works as “experimental in nature,” both created as an exploration of the medium and of the subject. There was a palpable feeling of connection to the artist for me at that moment, and as with many of the other works displayed, a sense of awe and satisfaction that is very difficult to articulate.
The exhibit is only available in Philadelphia, and only for a few short weeks from March 1st through May 14th. The quality and nature of these paintings are so exquisitely unique, that they are very rarely exhibited due to the harm that results from exposure to light, even the subtle indoor light of the museum. Several of the works had curtains in front of them so as to minimize the amount of exposure the paintings would receive, even during such a short period of time. Going to such lengths to preserve these works is an enormously important factor for future generations, and I walked away from the museum that afternoon enlivened and inspired in a way that is also unfortunately not as frequent as I would like.
Our connection to the artists and the works they produced in the past is a vital link to the very heart of our humanity, and while each of us may not be masters of our chosen creative arts, we each possess the same vital elements within us that connects us to each other and to those who came before us. We are the masters of our own creative spirits, and uniquely qualified to continue to connect to our spiritual and creative sensibilities as only we can.
From the June 1962 cover of National Geographic
Please have a look at this blogpost I wrote a while back about this amazing American…May he rest in peace….
February 20th marked the 50th anniversary of the day astronaut John Glenn orbited of Earth. He was one of NASA’s original Mercury astronauts, depicted in the recent film, “The Right Stuff.” The mission lasted just under five hours, allowing Glenn to circle the globe three times in the capsule he named, ” Friendship 7.”
When John Glenn made his historic flight, I was just 9 years old, but it had a huge affect on me even then. My father was an executive in the General Electric Company in the Missile and Space Division for many of the years leading up to the moon landing in 1969, and would often come home with souvenirs from NASA and the related teams that were a part of the space program. One day, when my Dad came home from work, he made all of us wash our hands in the kitchen. We couldn’t figure out why but did as we were told.
Once we had clean hands, he lined us up in a row and shook each of our hands like he was a visiting relative or dignitary who had just been introduced to us. When he was done, he told us, “You just shook the hand of the man who shook hands with John Glenn!” We were astonished, and began jumping up and down and shouting about our amazement. John Glenn had visited the facility where he worked that day and he had the opportunity to meet and talk to him briefly as the manager of his division. He also got an autograph, and told Glenn that he had a few amateur astronauts at home. Here is the paper with the autograph on it:
Soon after the memorabilia started to accumulate, I started to gather it in a large scrapbook, like other boys my age, and dreamed of being an astronaut. I called my scrapbook, “Man Reaches for the Stars: The History of Manned Space Flight,” and continued to accumulate newspaper clippings and images from magazines, and a variety of actual photos that my father was able to bring home to me from his workplace. I never once really thought I had the “Right Stuff,” but I loved to dream about traveling to space and loved everything about space. We were on vacation down at the shore in Brigantine, New Jersey, when the American astronauts Neil Armstrong and Buzz Aldrin walked on the moon, and we sat together with my Dad, and marveled at how far we had come since the days of the Mercury Astronauts.
Looking through my scrapbook this evening, I felt a little nostalgia for those days of amazement and wonder, and for the richness of the world my father had helped to paint for me, and how he encouraged me to dream big dreams, even if they wouldn’t all come true. I still share the fascination with space today, and when I look at the images of the earth from space, it always makes me long to see the view for myself, to experience the amazing sight first-hand. No view is quite like it…
Title: Self Awareness: Size: 21.5” x 30.5”x 1.75″: Media: acrylic, oil, collage & assemblage: Surface: canvas over masonite & board with wooden framework: copyright 2009 Lisa L. Cyr, Cyr Studio LLC, http://www.cyrstudio.com
“The only right and legitimate way to (a mystical) experience is that it happens to you in reality and it can only happen to you when you walk on a path, which leads you to a higher understanding. You might be led to that goal by an act of grace or through a personal and honest contact with friends, or through a higher understanding of the mind beyond the confines of mere rationalism.”
–Excerpt from a letter from Carl Jung to Bill Wilson – Jan. 30, 1961
Recently, I have begun to review some of my core postings here in John’s Consciousness, and in revisiting several of them these past few weeks, I have found that some of my insights and expressions have retained their centrality and sense of urgency even now. My experiences in the temporal world continue to point toward a synthesis of my many writings regarding the subjective experience of human consciousness, and my ever-expanding world within, when it is possible to attend to it directly, has benefited from the recent inclusion of serendipitous audio recordings of a kind of stream of consciousness that I have allowed to flow from within as I contemplate the stirrings within me. Central to these outpourings is a keen sense of longing to connect with other like-minded spirits out across the wider temporal world made available through modern technological advancements in communication and social media, and a much deeper personal and interior sense of longing for the kind of intimate sharing that can only result from developing a more spiritual worldview.
All of our longings, both temporal and spiritual, as well as the pain of new growth are felt both within and without. For me, the pain experienced within has always been the strongest and most difficult to endure. As an adult, I have come to understand more clearly now that something within me, long ago born and over countless centuries grown seeks acknowledgement in consciousness. As a youth, I felt this strange urge to express thoughts and feelings which burst forth without warning, and which I could not comprehend. Each time I would attempt to grasp the meaning of this inner force, bits and pieces of the curious puzzle would become clear briefly, and then vanish in the strictly-controlled religious world of saints and sinners and unquestioning obedience.
Occasionally, I would get glimpses of this inner world despite the pervasive atmosphere of strict controls and absolute rules, but could not sustain the thoughts and feelings long enough to make any significant headway. Looking back over the years, my whole being has now shifted from a traditional middle-class, religious upbringing, to a more unconventional and classless view of life that is a sharp contrast to the way it all began. Between moments of cognition in my inner realm, as rich and expansive as they continue to be, are extended periods of redundancy of obligation in the temporal. While most of these efforts represent necessary items that produce important results, it is often difficult to endure these gaps between meaningful awareness and dedicated efforts to sustenance, and it seems like endurance becomes more the goal than the means to an end at times.
Inner Worlds Within Worlds Art by Norman E. Masters
For some time now, the world outside of me has been at such odds with the world inside of me, that as I strive to maintain stability in both, I seem to be constantly shoring up the walls of one, deteriorating from neglect, and then racing back to devote my energies to the other. The subsequent chaos from running breathlessly between the two usually results in both alternately suffering to varying degrees. To complicate matters further, I have recently gained greater momentum in coming to terms with my inner world, significantly raising my expectations of achieving the goals I established for myself years ago. This hopeful progress, though uplifting, has created serious conflicts with my temporal existence. Thus far I have resisted abandoning my obligations for the sake of my work, and likewise refused to consider abandoning my work in favor of temporal considerations.
As with most esoteric undertakings, increasing comprehension precedes further progress. As my knowledge and appreciation of the complexities and subtleties of the evolution of consciousness grows, the many diverse and related theories begin to coalesce into a synthesis which is more comprehensive and quite beautiful in its depth and breadth. Human evolution, however convoluted or complex, has resulted in access to the penetrating self-awareness which characterizes human consciousness, and precipitated the development of human cultures, religions, and mythologies, as well as human psychology, philosophy, and a variety of sciences, all branching out like the veins of a large leaf, or a complex crystal formation.
The Psyche, according to Pythagoras “is the intermediary between two worlds: the Material and the Spiritual worlds. It is the Vital Energy that nests and inhabits in the matter”.
When we contemplate the astonishing variety of contingency necessary for human life to have progressed to this point, and to continue to progress beyond this point, it compels us to consider even some very unconventional points-of-view. How else can we arrive at such a distant destination in comprehension, as that of human consciousness, unless we remain open to alternative methods of enhancing our current comprehension, augmenting our current capacities, and altering our current level of consciousness? If the development of our ability to access higher levels of cognitive functioning, achieving an expanded intellect, and becoming self-aware, all were only just necessary adaptations for survival, and merely the consequence of natural selection, favoring those hominids with more complex brain architecture, there would be no compelling reason for consciousness to have progressed beyond a certain “survivability” level.
But if, as modern physics has demonstrated, we are all ultimately linked to the universal energies present in the early universe, and made from “the stuff of stars,” subatomic particles floating in the Higgs field, then it seems to me, that whatever forces govern the quarks, and hadrons, and leptons, and most recently, the theoretical “Higgs boson,” must be, in some manner, active within the wider universe of humans, planets, galaxies and super-clusters. All of existence, both temporal and metaphysical, must be a manifestation of and possess some degree of consciousness, only on a much grander scale.
If awareness of consciousness is an inevitable consequence of any evolutionary life process which produces creatures of sufficient cognitive ability and architectural complexity in the cognitive apparatus, then consciousness may well be what we can expect to find at the heart of the universe, manifested in an infinite variety of displays throughout. We will never know unless we expand our range of explanations to include every conceivable and inconceivable possibility.
Reflection on these ideas has produced within me a greater expansion of the role of connection to others in my ruminations. Time after time, whenever a heightened sense of connection to another kindred soul enters my awareness, many of the ideas which have been percolating within me come (sometimes suddenly) to the surface, and I am occasionally intrigued beyond words at the prospect of opening up to a wider world of subjective experience as a direct result of these encounters. In the weeks to come, I hope to explore these connections more directly as they relate to this idea, and to seek a greater understanding of how these connections lead to a deeper sense of self.
–more to come–
Contemplating David Gelernter’s new book, “The Tides of Mind,” for weeks now hasn’t helped me much with my own “struggles of mind,” but it has opened new avenues of thought, which is always a welcome development. In particular, his imagery of a “spectrum of consciousness,” with descending and ascending layers from being wide awake and alert to dreams and unconsciousness, although interesting as a means of describing the aspects of our mental machinery, illustrates well the challenges presented by the subject. He seems to bend over backwards to frame the question of consciousness as having everything to do with “mind” and not much to do with anything else. His background as a computer scientist and A.I. authority do provide a formidable foundation for dissecting the human mind, but I am often left unsatisfied as I work my way through his elaborate treatments of each layer in the spectrum.
What he does well is lead us through what we experience subjectively in a more comprehensive framework for appreciating and understanding the complexity and subtlety of that experience as a cognitive creature. I enjoyed reading along as he guides us step-by-step through the gradually descending lower end of the spectrum, characterizing each layer in great detail and illustrating his points with passages from literature. It’s a unique approach that serves him well for the most part. Some of his references are not as familiar to the general reader, but this is easily resolved by simply looking up the passages which are well documented with footnotes for the curious reader.
Visually striking metaphors are occasionally employed and he sometimes wanders into unconventional and unscientific territory to good effect. As we drop down into his “spectrum,” where there is far less empirical data regarding what exactly is taking place, he deftly navigates his way through these vagaries and treats us to a no-nonsense description which invariably seems plausible, although less definitive. In the section entitled, “Dreaming is Remembering,” he calls the dream state “the inner field of consciousness,” where imagination and memory combine to “feed” consciousness, and where he concedes that we have only a small degree of “control” to determine which thoughts enter and which are turned away. He straddles the two worlds of conscious thought and dreaming reality with the confidence of a computer scientist, but with less imagination or intuition regarding how it is that our subjective experience of each reality might possibly arise within each layer.
It’s interesting to consider his idea that our memory of our experience of emotion is the catalyst for the spectacle of dreams, in spite of the fact that dream content may or may not relate specifically to the actual memory itself. The emotions we ignore or suppress in our waking life, according to the author, is once again presented to us in an imaginary vision, conjured as best as possible from whatever our memory and imagination can provide, which may seem completely unlike the original experience. Since the mind is “unconstrained” by our normal waking sensibilities, we cannot control how our thoughts manifest as we might while awake, and we must confront them in a way that we might never consider doing while conscious. Even in these scenarios, Gelernter acknowledges that “we never surrender completely” to these thoughts. We “feel” the memories, but still keep them from becoming “conscious” most of the time, only occasionally letting some “slip through.”
His description of dreams as something “we all know are hallucinations,” struck me as dismissive of any other possible explanation, and while we all may recognize that while we are asleep in our beds, our physical bodies are not fully participating in our dream scenario, anyone who has has any vivid dream of any sort can attest to the occasional physiological response that our bodies can produce in response to dream experiences. So little is known definitively about this area of subjective experience, that it seems a bit presumptuous to me to eliminate any other possible interaction by declaring that everyone knows dreams are hallucinations. Whatever dreams might be from a scientific perspective, it may well be that as we evolve as a species, we may yet discover some as-yet-undetected link to capacities which may reveal a transcendent or non-physical aspect to dreaming which does not require our bodies to participate.
In an interesting sidebar, David pointed out that even as cognitive creatures known for our capacity to reason, we also “…long for our minds to be flooded with powerful emotion, so that we can only feel and can’t think, so that we can’t reason.” In the middle of all that, he points to one of the most human longings we possess–one that is central to my own dilemma–“…we long for pure experience.” I’m not as sure as David seems to be that this implies we “only” want to feel, and in a way that prevents us from thinking and reasoning. Cognition, in its most essential human form, is an acknowledgement of what we are feeling, and memory seems to me to be more a recollection of how we once “felt,” in a particular moment.
Our all-too-human longings, if we are able to acknowledge them, and to contemplate the connection we have to them–the “why” of our obsession with them–informs us about our nature as human beings in the broadest sense, but more specifically as an individual spirit in the world. Residing in our innermost personal world, our longings take on a much greater meaning–one that can only be understood well when considered as an image composed of the events of our lives–the moment-to-moment record of our innermost life as it unfolds in our daily lives and in our dreams…
—–more to come—–