Hugh in his element…
We don’t often have cause to think very much about what it means to be alive and walking amongst our fellow travelers in this life from day-to-day. Most often, we rise in the morning or whenever our normal day begins, and we normally just set ourselves to the tasks which have become familiar to us as our daily routines unfold. Once in a while, though, sometimes quite unexpectedly, we are thrust into circumstances which make it much more of an immediate topic for contemplation.
Just over a week ago, on April 28th, my dear friend, Hugh, died in his sleep, apparently of heart failure, and it stunned me to think of him as no longer being alive and walking amongst those of us who cherished his friendship. There were no indications of any heart problems in the weeks prior to this unfortunate event, and during our last visit together, just a few weeks prior, we enjoyed a typically lively and animated conversation as we always did, and thankfully, before we parted, we embraced and wished each other well until our next chance to be together. The photo at the top of this posting was taken last summer during a back yard barbeque, when he fell through the fabric in the lawn chair he was sitting in. We all had a good laugh as he struggled a bit at first to get up out of it, and when I lifted my camera to capture the image of the event, he obliged me with what had become his iconic pose for just about every occasion, smiling with his hands up in the air as if to say, “oh well.”
Looking back over our many conversations over the years, it occurred to me that we actually had discussed the topic of how long we both might expect to be around in the future. As was his way, the subject generally was accompanied by some joke at the end of the conversation about the dubious assumption that he would be around much longer to worry about it. He had retired some time ago, and seemed to relish the fact that “…everyday is Saturday now.” He still had lots of stories to tell about his own working days, whenever our chats turned to the jobs we were engaged in, and we had quite a bit in common as it turned out in that way, and we both enjoyed giving the other a related story whenever the subject came up.
On his 73rd birthday last year, we celebrated in the usual fashion, making merry at the local Applebee’s, and on this particular occasion, rather than singing the usual awful cheer that restaurants generally give you, all of the available staff came out and sang the actual Happy Birthday song, much to his delight. He had promised them he would walk out if they did otherwise. He seemed to enjoy the attention anyway, and as many of our visits with him unfolded, there was much laughter and hugging at the end of them. As much as he said he didn’t want a fuss made over him for any reason, once in a while he seemed to really shine when we did. He was funny that way.
Hugh was one of the few people with whom I could carry on a lengthy conversation about philosophy or science or the state of the world, depending on the occasion, and I remember distinctly the day we started talking about my blog here on WordPress.com. He listened patiently as I described the basic premise of the writing, and even seemed intrigued as I retold the story about the circumstances which began my investigations so many years ago. Hugh was no slouch when it came to having a broad grasp of many different subjects since he did a fair amount of reading, and when it came to comprehending the world, he often had insights to offer, and never had any trouble keeping up when complex subjects came up. He always made you feel like your stories were just as interesting as his, although his were often filled with details which astonished me, especially considering that he could recall them so well. I will miss those conversations greatly.
As was his wish, there were no memorial services or typical funeral events of any sort. He had the final say on that, just as he did with a number of considerations which affected him when he walked this earth amongst us. Our memories of him and his stories now must suffice as any conversation starter in his absence, and there are many which no doubt will be heard in the years to come. We will miss him very much, but in the best way possible, his life made ours that much better while he was here, and that is tribute enough, as he would often say.
God Speed, dear friend….
An image from the Cassini spacecraft shows Earth as a point of light between the icy rings of Saturn.
Credit – Space Science Institute/JPL-Caltech/NASA
Thanks to the leaps in satellite technology, undertaken by NASA and others, as well as scientific advances as a result of humanity’s efforts to conduct space travel, there now exist many unique images of the Earth, taken from a number of different perspectives, and as living, cognitive beings in the 21st century of recorded human history, we have been privileged to have the opportunity to view the earth in ways that were impossible only 60 years ago. Many creative and innovative methods of photographing the Earth from above, from aerial photographs taken by kites, balloons, and even carrier pigeons, to those from airplanes and early attempts at rocketry, all contributed to our perspective in interesting ways. It would take several years after the advent of human space flight to finally accomplish the task of taking a photograph of the entire earth. On November 17th, 1967, the NASA/ATS-3 synchronous satellite, orbiting the earth at a distance of 22,300 miles, directly above the Amazon River, took the image below utilizing an Electronic Image Systems Photorecorder, transmitting the image to the Weather Satellite Ground station in Rosman, North Carolina:
I received a print of this photograph from the original negative, described as the “first color photo ever made of the entire earth,” as a result of my father’s employment at the Missile and Space Division of the General Electric Company, engaged in the effort to put an American astronaut on the moon. The souvenir photo was presented to me at age 15 as a gift intended to inspire and encourage my interest in all things related to space travel and to astronomy. I have lovingly preserved the image these many years, and although it is beginning to show its age, it still holds a particular fascination for me, and continues to inspire and encourage my interest in the perspective only possible to achieve from stepping away from the earth-bound view of life.
Most people remember the iconic image of the Earth from the moon taken in 1968 by the Apollo astronauts on their way to orbiting that nearest extraterrestrial orb, and in some ways, the simple fact that it was a cognitive human person recording that image on his way to the moon that gave it much of its appeal, but it was on August 23, 1966 that we first got to see the Earth from the vicinity of the moon, in an image taken by NASA’s Lunar Orbiter I:
Many astonishing and beautiful images of the earth from spacecraft orbiting the Earth have been recorded over the years, from John Glenn’s initial orbits of the Earth in February of 1962, to the many views of our planet recorded from the space shuttle flights, all the way to those being made available regularly from the International Space Station. As our technology progressed, we found new and interesting ways to record our place in the universe, and the image below, recorded in 1977 by the Voyager I spacecraft, shows both the Earth and the Moon in the blackness of space:
The image at the top of this post, recently sent from the Cassini spacecraft, recorded at a distance of only 900 million miles, is reminiscent of the very last image from Voyager II in 1990, which was taken just before the batteries ran out, at a distance of approximately 3.7 billion miles away. Carl Sagan famously used the photograph as a launch point for his book, “Pale Blue Dot, A Vision of the Human Future in Space.”
The perspective available to us as a result of these accomplishments, aside from being humbling and awe-inspiring, is one that we have only recently begun to appreciate more fully. We still have all the squabbling and competition among peoples and nations all over the globe, but we have far less of an excuse for not recognizing just how small our home planet looms against the immensity of the galaxy and indeed the whole known universe. We will eventually have to recognize the need to bring all people and nations together into a cooperative organized union of nations in order to preserve the Earth for future generations. Our place in the universe is not yet fully developed, nor do we seem any closer to bringing the people of the world together when we look at the conflicts and trouble spots in the world.
We hold the future of our species in our hands now. We are the caretakers of the earth presently, and the path ahead has some real challenges if we are to leave a sustainable and reasonably livable Earth to our children and grandchildren. Our place in the universe is uncertain in some ways, but we can work toward a greater understanding of our fellow cognitive beings and what it is that gives us our unique perspective. This is my hope in contributing to this blog–to join with all the other voices that are pressing us forward to a more sustainable future, and to achieving a greater appreciation of our privilege as Earth’s caretakers. The subjective experience of consciousness is the door through which we bring to fruition, the future of our fragile place in the universe.
An extraordinary opportunity to travel to Center City Philadelphia this weekend made it possible to fulfill a longtime wish from my younger days to view in person some of the actual original works of Winslow Homer. As a much younger man, full of optimism and the creative spirit, I had thought to become an artist myself, and had taken many steps to achieve that aim throughout my educational journey. Art classes in grammar school, high school, and college only served to heighten my interest in the great works of art created out in the world, and one of my earliest experiences with admiration for other artists involved Mr. Homer, as his paintings were often used as illustrations for poetry books that I never seemed to be able to avoid reading.
The painting at the top of this page, entitled, “Diamond Shoal,” was created around 1905, and captured my imagination not simply as a work of art, but as an inspiration to imagine sailing in such a circumstance myself, as well as prompting what would become a lifelong interest in watercolor painting. Once it became an interest for me, I began attempting to create my own works, a few of which have illustrated my writings here. I never felt like my own skill approached any sort of level that might warrant attention from the art world, but the inspiration of the many works I encountered along the way never left me.
The image above, also by Winslow Homer, is a prime example of how such paintings not only appealed to me as a work of art, but also gave me an appreciation for the content of artwork that the masters unfailingly produced, which I rarely felt that I could embody in my own work. The painting is called, The Trysting Place,” from around 1875, and it depicts a young woman waiting at an appointed meeting place for what the artist described as “…a tardy lover.” You can almost feel the butterflies in her stomach in anticipation of his arrival, and perhaps even some anxiety that he might not show up at all. She is a lovely young woman, dressed in a deliberate choice by the artist as emblematic of the times, and she seems both vulnerable as she wonders what might be keeping her lover, and yet still also courageous to make the arrangement in the first place. Standing in front of these works, knowing that they are the original work of an artist I have long admired and who is world famous with good cause, was both uplifting and inspiring, even as a much older man today. There were hundreds of works by other artists as well and a few of them were especially notable for me as an enthusiastic patron of the exhibit.
This image was painted by one of the many women artists featured at the exhibit. “Bow Sprit,” from around 1916-1918, is a much more impressionistic rendering than some of the others which caught my eye, and I love how the impressions of the water and the sails and the circumstance are more than sufficient to give the viewer a sense of what the artist saw. I love the sparkling array of colors and the fluid movement suggested by her skilled hands. There were many renderings in the exhibit which had similar effects, but this one stood out for me.
At about the half-way point in the journey through these amazing images, there was a section of Winslow Homer works, paired with similar subjects and renderings by another master of watercolor, John Singer Sargent. Both artists were members of the American Watercolor Society in the late 1800’s and early 1900’s, but had remarkably different approaches to their work, and the contrast was both illuminating and interesting to contemplate. Homer seemed most often to be more concerned with precision and including important details in his renderings, and Sargent was much more focused on the impressionistic aspects of his final works, but both achieved a very similar result which delights and inspires.
Included in this array of creativity were two images by Georgia O’Keefe, someone whose work I have always admired, but for which I had never had the opportunity to view in person. The image above was one of the two, both renderings described as “Evening Star,” and this one is “number two.” The description reported the works as “experimental in nature,” both created as an exploration of the medium and of the subject. There was a palpable feeling of connection to the artist for me at that moment, and as with many of the other works displayed, a sense of awe and satisfaction that is very difficult to articulate.
The exhibit is only available in Philadelphia, and only for a few short weeks from March 1st through May 14th. The quality and nature of these paintings are so exquisitely unique, that they are very rarely exhibited due to the harm that results from exposure to light, even the subtle indoor light of the museum. Several of the works had curtains in front of them so as to minimize the amount of exposure the paintings would receive, even during such a short period of time. Going to such lengths to preserve these works is an enormously important factor for future generations, and I walked away from the museum that afternoon enlivened and inspired in a way that is also unfortunately not as frequent as I would like.
Our connection to the artists and the works they produced in the past is a vital link to the very heart of our humanity, and while each of us may not be masters of our chosen creative arts, we each possess the same vital elements within us that connects us to each other and to those who came before us. We are the masters of our own creative spirits, and uniquely qualified to continue to connect to our spiritual and creative sensibilities as only we can.
Winter has finally begun to lose its grasp on the world around me, and as it wanes, I find myself in a fairly predictable state of mind for this time of year. It generally feels like a sort of aching melancholy or some leftover winter suppression or vagueness in my personal emotional experience of life, and while that sounds as though it might be unpleasant, it usually precedes a more buoyant and upbeat condition as the temperatures become more moderate and the Spring begins to really take hold. Since it is only temporary and is normally followed by a more balanced interval, I try to be philosophical about it and look forward to the inevitable lift as the flowers bloom and the world slowly becomes more verdant. Stepping out the front door this morning, I caught my first glimpse of that transitional moment and it inspired me to share some recent thoughts with my readers here.
The image of the blossoms right outside the front door was enough to stir the anticipated and more optimistic emotional response in spite of current conditions being a bit chilly and rainy outside. These blossoms seemed to appear overnight, and every year the various plants always appear on a different schedule, almost competing with each other for bragging rights as to which ones were first and second. While I generally would not definitively or empirically associate such emotions with the flowers that appear in front of my house each year, speaking of them in this way feels completely reasonable to me, and my appreciation for their arrival also appears unfailingly when they arrive. We may wish to call this “imposing” my own emotions on a bunch of plants, but it is more correct to say that my emotions are stirred by the appearance of these plants, and I recognize the part they play in my experience of these emotions.
The image at the top of the post was actually taken out behind the garage, but had no less effect on my emotional response to the plants out front. Having been inspired to walk around the yard by the availability of both time and opportunity, I found myself standing in a fairly moderate rainfall as I attempted to capitalize on the momentary emotional stirring within me. Quite the opposite response occurred as I examined the astonishing progress of the ivy crawling up the side of the garage, which had not been there only a week ago. Each Autumn, I attempt to reduce the presence of the vines in the back by savagely and unapologetically slashing the overgrowth on the back fence, and every Spring, the tenacity of nature and the persistent determination of the vines always seems to win out. I’ve tried every solution known to man to eradicate the chokers of the trees in my yard and the destroyers of my other plants, and every year the vines return, almost as though I hadn’t made any effort at all.
I recently reviewed a new book by Lisa Feldman Barrett called, “How Emotions Are Made,” and while there is much to admire about her work, it struck me as completely counterintuitive to suppose that our brains alone produce our emotions. The book claims to be about “our emotions—what they are, where they come from, why we have them.” She writes, “A mental event, such as fear, is not created by only one set of neurons. Instead, combinations of different neurons can create instances of fear…A single brain area or network contributes to many different mental states.” The implication here seems to be that our emotions are entirely explainable through brain science.
Dr. Barrett is a Distinguished Professor of Psychology at Northeastern University. According to her webpage: “Dr. Barrett’s research focuses on the nature of emotion from the perspectives of both psychology and neuroscience, and takes inspiration from anthropology, philosophy, and linguistics. Her lab takes an interdisciplinary approach, and incorporates methods from social, clinical, and personality psychology, psychophysiology, cognitive science, cognitive neuroscience, and visual cognition.”
In the coming weeks, I hope to expand on these ideas and explain how a great deal more goes into our emotional experience of life than can be explained by cognitive science, and to flush out more of my own ideas in the process.
“Quantum mechanics is the best theory we have for describing the world at the nuts-and-bolts level of atoms and subatomic particles. Perhaps the most renowned of its mysteries is the fact that the outcome of a quantum experiment can change depending on whether or not we choose to measure some property of the particles involved.”
When this “observer effect” was first noticed by the early pioneers of quantum theory, they were deeply troubled. It seemed to undermine the basic assumption behind all science: that there is an objective world out there, irrespective of us. If the way the world behaves depends on how – or if – we look at it, what can “reality” really mean?”
“The physicist Pascual Jordan, who worked with quantum guru Niels Bohr in Copenhagen in the 1920s, put it like this: “observations not only disturb what has to be measured, they produce it… We compel [a quantum particle] to assume a definite position.” In other words, Jordan said, “we ourselves produce the results of measurements.”
“To this day, physicists do not agree on the best way to interpret these quantum experiments, and to some extent what you make of them is (at the moment) up to you. But one way or another, it is hard to avoid the implication that consciousness and quantum mechanics are somehow linked.”
• –Excerpt from article by Philip Ball on BBC.com
Philip Ball is a freelance science writer. His writings on science for the popular press have covered topical issues ranging from cosmology to the future of molecular biology. He has written widely on the interactions between art and science, and continues to write regularly for Nature. He has a BA in Chemistry from the University of Oxford and a PhD in Physics from the University of Bristol.
The nature of reality is a key question in every philosophical tradition, and if we are curious enough as individuals existing within the temporal world, we may find ourselves compelled by our circumstances as human cognitive creatures to not only engage the reality we experience on a daily basis, but also to contemplate a variety of alternate realities, which exist only as potential variations of our current objective reality.
It is reasonable to conclude that in order to become aware of alternate realities, we must first allow ourselves to entertain the notion that it is possible to become aware of them, and then also to engage them through deliberate intention to expand our awareness. We have to be willing to explore beyond the limitations of our objective view of the world, and seek to open our hearts and minds to an expanded view of what an alternate reality might look like and how it would feel to be a part of it. Only when we place ourselves on the path of discovery, can we expect to encounter potential realities which might exist outside of our everyday view of our existence.
I know these ideas sound like they might be challenging to pursue, especially if you are unaccustomed to opening yourself to other possibilities, and if you are bogged down with ingrained habits from any number of limiting dogmatic institutions or strictly controlled belief systems like I was growing up, it can be very difficult to even suppose that anything else exists outside of our perceptual experiences as physical beings in a physical universe. The truth is that we often embrace the well-worn paths from our upbringing or limit ourselves to only those ideas which we can be demonstrated empirically to be true, without ever really questioning why or supposing that other ideas outside of those familiar to us could possibly have merit.
The way we begin to open ourselves to new ideas is to expand our awareness generally by letting go of our restrictive or limited views for a short time and to contemplate what the world might look like if we did not have these restrictions. We don’t have to abandon sobriety or toss out everything that we hold dear in one fell swoop, but rather, simply allow our hearts and minds to release us from the habitual embrace of what we currently know just for a brief period of time, and ask ourselves what other possible ideas might explain or account for our subjective experience of this moment.
It’s a small beginning that doesn’t require us to put forth that much effort, and with some regular attention to the practice, we may start to see how our willingness to simply THINK about other possibilities brings them slowly to the surface for us to examine. The key is to allow these thoughts to enter our minds briefly and to embrace the opportunity in our hearts just to see how they feel to us at that moment. With persistence, and an open approach to new ideas, we can begin to formulate a basis for further inquiry. Once we establish a routine of contemplation and openness to new ideas, we will naturally produce starting points for further investigation. Wherever our thoughts lead us, and in whatever direction our hearts point us, we can look and read about and pursue those beginnings and discover for ourselves what a variety of wonder and curiosity can produce for us to consider.
Whether or not this approach leads to genuine discovery or the opening to new ideas is entirely up to us to determine, and at the very least, it provides an opportunity to expand our inner resources, and enrich our experience of our existence in new ways.
After what has felt like almost a lifetime of contemplation and pursuing my curiosity in a whole variety of ways, every new experience now becomes an opening to a broader view of existence for me, and the persistent application of embracing each one with an open heart and mind has allowed me to expand my own ideas beyond anything I could have imagined before I began in earnest to contemplate the nature of my own reality on my own terms.
My most recent opening to new experience took the form of a public performance in Philadelphia at the Merriam Theater of an extraordinary production entitled, “Shen Yun.” Through a series of musical vignettes from a rich tradition of ancient dances and philosophical themes from over 5,000 years of Chinese civilization, a modern day interpretation created by “…an independent nonprofit organization based in New York City,” according to the program, brought together “leading Chinese artists from around the world,” in an effort to “revive authentic Chinese culture.”
You might think that a program which featured classical Chinese dance wouldn’t necessarily provide me with an opening to a broader view of my own personal reality, but quite the opposite turned out to be true. As an observer in the spectacle of “China’s rich cultural heritage,” it became quickly apparent to me that my participation in the event allowed me to enjoy “…one of humankind’s greatest treasures.” As the evening unfolded, I found myself profoundly engaged by the music, the movement, and the artistry of the performers.
Again, according to the program provided:
“The Shen Yun Orchestra delivered this musical experience by blending the singular beauty of Chinese melodies with the precision and power of the Western orchestra…Ancient instruments like the erhu and pipa lead the melody on top of a full Western orchestra—strings, woodwinds, and brass. It is the only orchestra in the world to combine these instruments as permanent members.”
By combining the artistry of modern day performance with the spirituality of an ancient Chinese culture, “…Shen Yun’s performers draw their spiritual inspiration from…a practice called Falun Dafa…also known as Falun Gong…rooted in China’s ancient spiritual traditions…(whose) practitioners strive to live by the principles of truthfulness, compassion, and tolerance.”
Every episode of the performance contained some jeweled offering to the audience, from the plentiful variety of spectacular costumes, to the exquisite beauty of the coordinated precision choreography, and unique special effects. A host of selections from thousands of years of Chinese mythology and history over several hours often solicited gasps of astonishment and delight from an international audience of enthusiastic theater goers. I found myself periodically overwhelmed by both the emotional and spiritual content of the stories, and at particular moments, on the verge of tears as I opened myself to the unfolding spectacle.
Of particular note were the episodes “Bestowing the Tao,” about the story of Lao-Tzu and the Tao Te Ching, another entitled, “The Dream,” which warned that our choice between good or evil would decide our fate, and the last two of the evening, “The Divine Path is Near,” which suggests that we are called to follow the divine path, and “Boundless Compassion,” which points out that we are “…following in the footsteps of the ancient spiritual traditions,” which presents our modern culture with great challenges, but promises that if we pursue these traditions with appropriate fervor,“…a new era of hope begins.”
This extraordinary evening of music, dance, and culture, when combined with a modern technological invention of an integrated digital background which “…allowed the performers to travel back and forth between the stage and the animated backdrop,” profoundly affected me in a number of ways. The ancient messages from the myths and stories came to life for me; the beauty of the dances enthralled me; the hypnotic effect of the animated background, and the mystical fog which appeared at the beginning of each half of the performance left me awestruck! The spiritual nature of our humanity was on such clear display, that I left the theater uplifted and moved beyond words.
With luck, and a continuing effort to remain open to new experiences and to gain additional insights from them as I progress in my efforts to more fully appreciate the human subjective experience of consciousness, I hope to provide a degree of inspiration to others who visit here in the days and weeks to come.
Warm regards….John H.
January has flown by at the speed of light it seems, and I have only today been able to find an opportunity to sit quietly at my desk and contemplate this posting–the first of the new year. It has been a tumultuous time for us all here in America over the past several months, and it has, no doubt, also been equally so for many others around the world. As Americans, we tend to look upon the events in our own native land as primarily our own, when it might be more precise describe them as world events, since we are inextricably linked to the rest of the world by virtue of our standing as a major force in the world. We may wish to turn our focus inward on our own country as a means of coming to terms with the circumstances of the world-at-large, but ultimately, we are, at some point, going to have to face up to the reality of eventually becoming a global community of human beings. I am not inclined to engage in political debates about the wisdom, virtues, or liabilities of becoming a global community of humans, and the purpose of this blog is far removed from such debates, but it is clear that as a sentient, cognitive, emotional, often irrational, historically contentious and radically philosophical and diverse community of humans, we are gradually going to have to acknowledge that our focus on the external world, on the world outside of our own personal subjective experience, will very likely require a much greater emphasis on understanding our internal world, if we are ever going to solve the problems facing us everywhere else.
The image above shows a most unique and thoughtful gift I received this year at our annual family Christmas gathering. Since we have such a large extended family group, for years now we have put everyone’s name in a hat and conducted a Pollyanna method for gift-giving, and our tradition has grown into an enormous barrel of fun as we not only scramble to find our recipient in a house full of celebrating members, but then we increase the torment by going around one-by-one and describing our gift to the gathered multitudes. As you might imagine, there are frequently choruses of “o-o-o-o-o-s” and “a-a-a-ah-h-h-s” as particularly fancy or interesting gifts are displayed, and occasionally, when a gift is clearly a mismatch with or some commentary on the receiver, chaos and laughter generally follow. My received gift of the writer’s quill and ink with a beautifully embossed journal met with a resounding cheer of approval from those present, and the acknowledgement that it would be particularly appropriate as a gift for ME, while not surprising to anyone, was a source of great delight for me as the grateful recipient. As someone who is historically sentimental and overtly emotional, I found myself oddly at a loss for words. The gift, in my heart and mind, clearly was much more one of gratitude for the acknowledgement as a writer, and I muddled through the description phase in a fairly unspectacular manner, only managing afterwards to give a heartfelt expression of thanks to my dear nephew for the sentiment the gift held for me.
After the holidays had settled down a bit, I once again turned to this gift and thought to write some message on the inner leaf as a first use of the quill. It seemed appropriate to me to invoke the ancient wisdom of Ecclesiastes in view of the acknowledgement that all things contain elements of opposing energies, and in spite of our best efforts, each urgency in life has a time for it to flourish and a time when it wanes, but perhaps none more-so than when writing with a quill. I had some experience with similar ink pens in grammar school, which had the same metal point through which the ink would reach the paper, but the quill presents a unique challenge as the writer must gauge when to pause and when to dip the end into the ink bottle, and finding a method of presenting one’s thoughts in a reasonably consistent flow on the page takes patience and focus. I spent some time practicing on scraps of paper and experimented with my technique for some time, but eventually I concluded that it comes down to achieving a basic understanding of the dynamics of the process and then throwing caution to the wind in order to make any progress at all. What follows is an excerpt from my first entry in the journal. It’s a reasonably consistent flow in the thoughts expressed and a somewhat less consistent display of mastery with the quill:
“Indeed, of all the things that make us human, perhaps none is more important or prominent or significant than brain physiology. So many of our capacities are enabled by the brain, so much of our experience of the world is made possible by cognition–by the firing of neurons and the transfer of ions across barriers from one axon to the next dendrite over the synapses, which send the electrical impulses racing along the neural networks between brain regions.”
While recording these thoughts in the journal, it occurred to me that there was a time in our world when the quill was the one of the most common writing utensils in use for writers of every sort, and it became quickly apparent to me that my mind, having become accustomed to a much quicker pace and a much wider variety of methods for recording its machinations, was clearly unhappy with the slow, steady, and almost draconian pace which the quill forces on the writer. My tendency to change my mind several times in the course of a paragraph or even in a sentence or within a phrase, caused me much consternation when I realized that implementing these changes would require that I either cross something out or inevitably to rewrite entire sections. We have been spoiled by our modern editing tools and alternative methods of recording our thoughts, in ways that allow for changes to occur with very little fanfare.
On the box, the manufacturers in France chose to quote Victor Hugo, who rightly points out that writing with a quill has “the lightness of the wind,” but may, if the writer has some degree of skill in the subject, end up presenting thoughts which act with “the power of lightning.” There have been authors and creative souls of every sort through the ages whose words did indeed act with the power of lightning, and who also recorded those words using the quill and ink. They have my unmitigated admiration for pursuing their thoughts in such a way, and with such patience and determination required just to set them down on paper, let alone empower them with the strength of lightning.
I have recently been at somewhat of a loss for words. There are many thoughts tumbling around in my brain, though, and I am hoping to present a great many more of them for my readers here in the months to come. I hope you will return often to review those I have already recorded, and add your own thoughts on any entries you feel speak with even a hint of that lightning.
With best wishes to everyone here at WordPress.com…….John H.
From the June 1962 cover of National Geographic
Please have a look at this blogpost I wrote a while back about this amazing American…May he rest in peace….
February 20th marked the 50th anniversary of the day astronaut John Glenn orbited of Earth. He was one of NASA’s original Mercury astronauts, depicted in the recent film, “The Right Stuff.” The mission lasted just under five hours, allowing Glenn to circle the globe three times in the capsule he named, ” Friendship 7.”
When John Glenn made his historic flight, I was just 9 years old, but it had a huge affect on me even then. My father was an executive in the General Electric Company in the Missile and Space Division for many of the years leading up to the moon landing in 1969, and would often come home with souvenirs from NASA and the related teams that were a part of the space program. One day, when my Dad came home from work, he made all of us wash our hands in the kitchen. We couldn’t figure out why but did as we were told.
Once we had clean hands, he lined us up in a row and shook each of our hands like he was a visiting relative or dignitary who had just been introduced to us. When he was done, he told us, “You just shook the hand of the man who shook hands with John Glenn!” We were astonished, and began jumping up and down and shouting about our amazement. John Glenn had visited the facility where he worked that day and he had the opportunity to meet and talk to him briefly as the manager of his division. He also got an autograph, and told Glenn that he had a few amateur astronauts at home. Here is the paper with the autograph on it:
Soon after the memorabilia started to accumulate, I started to gather it in a large scrapbook, like other boys my age, and dreamed of being an astronaut. I called my scrapbook, “Man Reaches for the Stars: The History of Manned Space Flight,” and continued to accumulate newspaper clippings and images from magazines, and a variety of actual photos that my father was able to bring home to me from his workplace. I never once really thought I had the “Right Stuff,” but I loved to dream about traveling to space and loved everything about space. We were on vacation down at the shore in Brigantine, New Jersey, when the American astronauts Neil Armstrong and Buzz Aldrin walked on the moon, and we sat together with my Dad, and marveled at how far we had come since the days of the Mercury Astronauts.
Looking through my scrapbook this evening, I felt a little nostalgia for those days of amazement and wonder, and for the richness of the world my father had helped to paint for me, and how he encouraged me to dream big dreams, even if they wouldn’t all come true. I still share the fascination with space today, and when I look at the images of the earth from space, it always makes me long to see the view for myself, to experience the amazing sight first-hand. No view is quite like it…