“Quantum mechanics is the best theory we have for describing the world at the nuts-and-bolts level of atoms and subatomic particles. Perhaps the most renowned of its mysteries is the fact that the outcome of a quantum experiment can change depending on whether or not we choose to measure some property of the particles involved.”
When this “observer effect” was first noticed by the early pioneers of quantum theory, they were deeply troubled. It seemed to undermine the basic assumption behind all science: that there is an objective world out there, irrespective of us. If the way the world behaves depends on how – or if – we look at it, what can “reality” really mean?”
“The physicist Pascual Jordan, who worked with quantum guru Niels Bohr in Copenhagen in the 1920s, put it like this: “observations not only disturb what has to be measured, they produce it… We compel [a quantum particle] to assume a definite position.” In other words, Jordan said, “we ourselves produce the results of measurements.”
“To this day, physicists do not agree on the best way to interpret these quantum experiments, and to some extent what you make of them is (at the moment) up to you. But one way or another, it is hard to avoid the implication that consciousness and quantum mechanics are somehow linked.”
• –Excerpt from article by Philip Ball on BBC.com
Philip Ball is a freelance science writer. His writings on science for the popular press have covered topical issues ranging from cosmology to the future of molecular biology. He has written widely on the interactions between art and science, and continues to write regularly for Nature. He has a BA in Chemistry from the University of Oxford and a PhD in Physics from the University of Bristol.
The nature of reality is a key question in every philosophical tradition, and if we are curious enough as individuals existing within the temporal world, we may find ourselves compelled by our circumstances as human cognitive creatures to not only engage the reality we experience on a daily basis, but also to contemplate a variety of alternate realities, which exist only as potential variations of our current objective reality.
It is reasonable to conclude that in order to become aware of alternate realities, we must first allow ourselves to entertain the notion that it is possible to become aware of them, and then also to engage them through deliberate intention to expand our awareness. We have to be willing to explore beyond the limitations of our objective view of the world, and seek to open our hearts and minds to an expanded view of what an alternate reality might look like and how it would feel to be a part of it. Only when we place ourselves on the path of discovery, can we expect to encounter potential realities which might exist outside of our everyday view of our existence.
I know these ideas sound like they might be challenging to pursue, especially if you are unaccustomed to opening yourself to other possibilities, and if you are bogged down with ingrained habits from any number of limiting dogmatic institutions or strictly controlled belief systems like I was growing up, it can be very difficult to even suppose that anything else exists outside of our perceptual experiences as physical beings in a physical universe. The truth is that we often embrace the well-worn paths from our upbringing or limit ourselves to only those ideas which we can be demonstrated empirically to be true, without ever really questioning why or supposing that other ideas outside of those familiar to us could possibly have merit.
The way we begin to open ourselves to new ideas is to expand our awareness generally by letting go of our restrictive or limited views for a short time and to contemplate what the world might look like if we did not have these restrictions. We don’t have to abandon sobriety or toss out everything that we hold dear in one fell swoop, but rather, simply allow our hearts and minds to release us from the habitual embrace of what we currently know just for a brief period of time, and ask ourselves what other possible ideas might explain or account for our subjective experience of this moment.
It’s a small beginning that doesn’t require us to put forth that much effort, and with some regular attention to the practice, we may start to see how our willingness to simply THINK about other possibilities brings them slowly to the surface for us to examine. The key is to allow these thoughts to enter our minds briefly and to embrace the opportunity in our hearts just to see how they feel to us at that moment. With persistence, and an open approach to new ideas, we can begin to formulate a basis for further inquiry. Once we establish a routine of contemplation and openness to new ideas, we will naturally produce starting points for further investigation. Wherever our thoughts lead us, and in whatever direction our hearts point us, we can look and read about and pursue those beginnings and discover for ourselves what a variety of wonder and curiosity can produce for us to consider.
Whether or not this approach leads to genuine discovery or the opening to new ideas is entirely up to us to determine, and at the very least, it provides an opportunity to expand our inner resources, and enrich our experience of our existence in new ways.
After what has felt like almost a lifetime of contemplation and pursuing my curiosity in a whole variety of ways, every new experience now becomes an opening to a broader view of existence for me, and the persistent application of embracing each one with an open heart and mind has allowed me to expand my own ideas beyond anything I could have imagined before I began in earnest to contemplate the nature of my own reality on my own terms.
My most recent opening to new experience took the form of a public performance in Philadelphia at the Merriam Theater of an extraordinary production entitled, “Shen Yun.” Through a series of musical vignettes from a rich tradition of ancient dances and philosophical themes from over 5,000 years of Chinese civilization, a modern day interpretation created by “…an independent nonprofit organization based in New York City,” according to the program, brought together “leading Chinese artists from around the world,” in an effort to “revive authentic Chinese culture.”
You might think that a program which featured classical Chinese dance wouldn’t necessarily provide me with an opening to a broader view of my own personal reality, but quite the opposite turned out to be true. As an observer in the spectacle of “China’s rich cultural heritage,” it became quickly apparent to me that my participation in the event allowed me to enjoy “…one of humankind’s greatest treasures.” As the evening unfolded, I found myself profoundly engaged by the music, the movement, and the artistry of the performers.
Again, according to the program provided:
“The Shen Yun Orchestra delivered this musical experience by blending the singular beauty of Chinese melodies with the precision and power of the Western orchestra…Ancient instruments like the erhu and pipa lead the melody on top of a full Western orchestra—strings, woodwinds, and brass. It is the only orchestra in the world to combine these instruments as permanent members.”
By combining the artistry of modern day performance with the spirituality of an ancient Chinese culture, “…Shen Yun’s performers draw their spiritual inspiration from…a practice called Falun Dafa…also known as Falun Gong…rooted in China’s ancient spiritual traditions…(whose) practitioners strive to live by the principles of truthfulness, compassion, and tolerance.”
Every episode of the performance contained some jeweled offering to the audience, from the plentiful variety of spectacular costumes, to the exquisite beauty of the coordinated precision choreography, and unique special effects. A host of selections from thousands of years of Chinese mythology and history over several hours often solicited gasps of astonishment and delight from an international audience of enthusiastic theater goers. I found myself periodically overwhelmed by both the emotional and spiritual content of the stories, and at particular moments, on the verge of tears as I opened myself to the unfolding spectacle.
Of particular note were the episodes “Bestowing the Tao,” about the story of Lao-Tzu and the Tao Te Ching, another entitled, “The Dream,” which warned that our choice between good or evil would decide our fate, and the last two of the evening, “The Divine Path is Near,” which suggests that we are called to follow the divine path, and “Boundless Compassion,” which points out that we are “…following in the footsteps of the ancient spiritual traditions,” which presents our modern culture with great challenges, but promises that if we pursue these traditions with appropriate fervor,“…a new era of hope begins.”
This extraordinary evening of music, dance, and culture, when combined with a modern technological invention of an integrated digital background which “…allowed the performers to travel back and forth between the stage and the animated backdrop,” profoundly affected me in a number of ways. The ancient messages from the myths and stories came to life for me; the beauty of the dances enthralled me; the hypnotic effect of the animated background, and the mystical fog which appeared at the beginning of each half of the performance left me awestruck! The spiritual nature of our humanity was on such clear display, that I left the theater uplifted and moved beyond words.
With luck, and a continuing effort to remain open to new experiences and to gain additional insights from them as I progress in my efforts to more fully appreciate the human subjective experience of consciousness, I hope to provide a degree of inspiration to others who visit here in the days and weeks to come.
Warm regards….John H.